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In this chapter I argue that to practice poetry, or to live poetically, is an artmaking process where the self has an aesthetic/empathetic sense of being in the world. I utilize Lacanian theory to explain how artmaking processes of aesthetics/empathy (1) resist the long-standing traditions of modern...
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In this paper I consider the question of what is good for the poem. First I put forward a case for addressing a poem as a living thing, and what follows is a Lacanian psychoanalysis of a poem’s unconscious. I conclude with a brief application for educators and recommend ways they might prevent an ...
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'This book present viewpoints of the international authors, who are teacher educators, highlighting their best practices in their own environments, and how it can relate and be applicable to the readers' environment'--Provided by publisher.