Film music: perspectives from cognitive psychology
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Citation
| Section title | Film music: perspectives from cognitive psychology |
| Section author(s) | A. Cohen |
| Book title | Music and cinema |
| Book editor(s) | James Buhler, Caryl Flinn, David Neumeyer |
| Start page | 360 |
| End page | 377 |
| Date | 2000 |
| Abstract | Star wars, music, and myth / James Buhler -- Richard Wagner and the fantasy of cinematic unity : the idea of the Gesamtkunstwerk in the history and theory of film music / Scott D. Paulin -- Leitmotifs and musical reference in the classical film score / Justin London -- Songlines : alternative journeys in contemporary euuropean cinema / Wendy Everett -- Strategies of remembrance : music and history in the new German cinema / Caryl Flinn -- Kansas City dreamin' : Robert Altman's jazz history lesson / Krin Gabbard -- Music, drama, Warner Brothers : the cases of Casablanca and The Maltese falcon / Martin Marks -- Tonal design and the aesthetic of pastiche in Herert Stothart's Maytime / Ronald Rodman -- Finding release : 'Storm Clouds' and The Man who knew too much / Murray Pomerance -- That money-making 'Moon River' sound : thematic organization and orchestration in the film music of Henry Mancini / Jeff Smith -- Ultrasound : the feminine in the age of mechanical reproduction / Michelle Lekas -- Designing women : art deco, the musical, and the female body / Lucy Fischer -- Disciplining Josephine Baker : gender, race, and the limits of disciplinarity / Kathryn Kalinak -- Inventing the cinema soundtrack : Hollywood's multiplane sound system / Rick Altman, with McGraw Jones and Sonia Tatroe -- Film music : perspectives from cognitive psychology / Annabel J. Cohen. |
Using APA 6th Edition citation style.
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